I also liked the idea of Attack as a threat tactic as far as "turn-taking". The author writes "...in life one is not ordinarily handed the opening to speak--one must make it...The actor must not assume that he has an unchallenged right to speak just because the playwright has given him a line to say, nor the unchallenged right to continue speaking just because he hasn't finished his scripted speech." I really like this idea. I think it's important to keep this in mind. This aspect of acting would really bring the script to life. I know we've all seen high school productions when actors are just reciting lines and there's no life in them. What a difference it would make if they instead attacked the lines as if they were fighting for the right to talk and really taking the attention of all the characters on stage when they did talk.
I'm glad the reading shed some light. This is a great book. Robert Cohen has a real insight into human psychology and how that field relates to our craft. Thanks for opening a discussion.
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